A good – and bad – week for Italy's art police and museum security

A journalist browses the Messina museum website showing a picture of the Early Renaissance painter Antonello da Messina's artwork, multiple pieces of which were stolen from the Sicilian museum on Aug. 15, 2026. Gregorio Borgia/AP hide caption

In late March, a gang used a tractor to batter down a fence before two masked burglars broke into the Magnani Rocca Foundation, a private museum about 12 miles from the northern Italian city of Parma. They climbed in through a window door, and grabbed three paintings off the wall before disappearing – the whole operation caught on camera, yet completed in under three minutes.

The roughly $10 million haul included Cézanne's Still Life with Cherries (worth an estimated $7 million), Renoir's Les Poissons (with an approximate value of $3.5 million) and a Matisse aquatint, Odalisque on the Terrace ($23,000). It was the latest in a run of high-profile thefts that have hit museums and galleries across Europe.

This past Friday, officials said the paintings had been recovered during some searches that prosecutors had ordered. That investigative effort was led by the Italian police branch known as the carabinieri, working alongside a specialist team focused on cultural heritage protection.

Yet authorities gave few further details, and the investigation remains open.

In this picture made available by the Italian Carabinieri in Parma, northern Italy, Friday, Aug. 14, 2026, Carabinieri pose near three artworks recovered following a police operation. Italian Carabinieri/AP hide caption

The following night, a Saturday, was an Italian holiday known as Ferragosto, when much of the country was out celebrating. In the Sicilian city of Messina, a major religious festival held every August 15, called La Vara , had also drawn thousands to the streets.

While attention in the city may have been elsewhere, thieves got past the alarm system at Messina's Museo Interdisciplinare Regionale (MuMe), and broke open a security case. They soon left with four wooden panels by the city's famed Renaissance painter, Antonello da Messina.