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Roman Karkosik funds 55-meter Virgin Mary statue to combat secularization in Poland

A 55-meter statue of the Virgin Mary in Konotopie, Poland, aims to reaffirm Catholic values amid declining religious observance among younger generations. Funded by businessman Roman Karkosik, the stโ€ฆ

Can a giant Madonna help slow secularization in Poland?
DW World โ€” 14 August 2026
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A giant statue of the Virgin Mary, towering over 55 meters (180 feet) in height, has become a focal point in the tiny Polish village of Konotopie. The statue, which features a 40.6-meter figure atop a 15-meter pedestal shaped like a crown, is set to be officially inaugurated on August 15. This date coincides with the feast of the Assumption of Mary, a significant day in the Catholic calendar. The statue, visible for miles, has drawn thousands of visitors, both pilgrims and tourists, eager to see the monumental structure.

The unveiling of the statue comes at a time when Poland is experiencing a complex dialogue about faith and secularization. The country, known for its strong Catholic roots, has seen a gradual decline in religious observance among younger generations. The statue serves as a bold statement of faith and is part of a broader effort by some to reassert traditional values in Polish society. The benefactor behind the statue, Roman Karkosik, is a wealthy businessman who describes the project as a "gesture of gratitude" for his recovery from a serious illness.

Karkosik, 75, has a fortune estimated at โ‚ฌ442 million ($511 million) and ranks among Poland's wealthiest individuals. He began his career as a bartender and later became a prominent entrepreneur, with ventures ranging from scrap metal trading to manufacturing plastic bottles. Despite his significant wealth, Karkosik and his wife, Grazyna, maintain a low profile and avoid media attention. While the exact cost of the statue remains undisclosed, estimates suggest it could have reached up to โ‚ฌ23 million.

Reactions to the statue are mixed. Some express admiration, calling it a "fantastic achievement," while others criticize it as a "complete waste" of funds that could have been better spent on practical community projects. As the statue prepares for its inauguration, it symbolizes not only a personal tribute from Karkosik but also a broader cultural stance in a country grappling with the balance between tradition and modernity.

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