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Ugochukwu Azuya's film "I Live in V.I." tackles Lagos gentrification issues

Director Ugochukwu Azuya's film "I Live in V.I." examines urban alienation and gentrification in Lagos, Nigeria, highlighting the struggles of displaced residents amid rapid urbanization. The film aiโ€ฆ

โ€˜I Live in V.I.,โ€™ a Social Class Satire From Nigeria, Will Dive Into Urban Alienation and Gentrification
Hollywood Reporter โ€” 15 August 2026
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Director Ugochukwu Azuya's new film, "I Live in V.I.," tackles themes of urban alienation and gentrification in Nigeria. The project was showcased at the Locarno Open Doors, a platform for emerging filmmakers. Azuya draws from his experiences living in Lagos, a city marked by stark economic divides and a materialistic culture that shapes its social landscape.

This film comes at a time when urbanization in Nigeria is accelerating. Lagos, the country's largest city, is experiencing rapid growth, attracting people from across the nation in search of better opportunities. However, this influx has also led to increased gentrification, displacing long-term residents and altering the character of neighborhoods. Azuya's film seeks to capture this tension. He aims to highlight the struggles of individuals who feel alienated in their own city while exploring the societal pressures that define their experiences.

The filmโ€™s narrative is expected to resonate with audiences beyond Nigeria. Gentrification and urban alienation are global issues, affecting cities worldwide. Azuyaโ€™s work could provide a fresh perspective on these themes, exploring how socio-economic status shapes personal identity and community belonging. As a rising voice in Nigerian cinema, he hopes to spark conversations about these pressing social issues.

Looking ahead, "I Live in V.I." is set to enter production soon, with Azuya expressing a desire to collaborate with local actors and filmmakers. The film's success could pave the way for more projects that delve into the complexities of urban life in Nigeria. As audiences become increasingly aware of social disparities, Azuya's film could contribute to a broader dialogue about class, identity, and the future of Nigeria's urban centers.

Read Full Story at Hollywood Reporter โ†’
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