Sarah Snook on Why ‘All Her Fault’ Was the Perfect Post-‘Succession’ Role
After her theater triumphs, the Emmy winner says Peacock’s twisty hit appealed because Marissa Irvine is “not Shiv.”
After her theater triumphs, the Emmy winner says Peacock’s twisty hit appealed because Marissa Irvine is “not Shiv.” This report comes from Hollywood
Read Full Story at Hollywood Reporter →Why This Matters
Sarah Snook’s pivot from *Succession*’s ruthless Shiv Roy to Peacock’s morally ambiguous Marissa Irvine signals a shift in how audiences perceive female antiheroes—no longer confined to power-hungry schemers but embracing flawed, relatable complexity. Her choice underscores how actors now prioritize roles that subvert typecasting, a trend reshaping post-award career strategies in prestige television.
Background Context
The post-*Succession* landscape has become a high-stakes proving ground for actors seeking to escape typecasting, with many leveraging theater credits to signal range. Peacock’s *All Her Fault* arrives as part of a wave of twisty, female-driven thrillers capitalizing on the appetite for morally gray narratives post-*Gone Girl* and *The Undoing*.
What Happens Next
Snook’s involvement may accelerate industry interest in roles that reject the "villainess" trope in favor of nuanced protagonists, potentially influencing casting trends for prestige projects. Expect studios to double down on serialized dramas where women drive the chaos—or bear its consequences—without the armor of traditional power.
Bigger Picture
This moment reflects a broader cultural realignment, where audiences reward performances that dismantle archetypes rather than reinforce them. The rise of streaming platforms as altars for risk-taking storytelling is making such shifts more visible—and more profitable—for actors willing to pivot.
