Bibiana Rojas Gómez and Juan David Cárdenas premiere AI film on trauma at Venice

Salomé searches through decades of family footage to uncover the reasons for her mother's sadness in "The End of Times," an AI-assisted film essay directed by Bibiana Rojas Gómez and Juan David Cárdenas Maldonado. The film is set to premiere at the Venice Critics' Week, a prestigious festival that showcases innovative cinema. It explores themes of trauma and mental illness, aiming to spark discussions about these often-stigmatized topics.

The film's release comes at a time when mental health awareness is becoming increasingly prominent in public discourse. The COVID-19 pandemic has intensified conversations around mental health, with people more open to discussing their struggles. Social media platforms have also been pivotal in destigmatizing mental illness, making it a ripe moment for a film that seeks to "politicize mental illness." By linking personal trauma to broader societal issues, "The End of Times" aims to challenge viewers to reconsider their perceptions of mental health.

The use of AI in the filmmaking process adds a contemporary layer to the narrative, reflecting how technology can assist in uncovering personal stories. This method not only enriches the visual experience but also highlights the intersection of art and technology in modern storytelling. The filmmakers have expressed their hope that the film will resonate with audiences, prompting them to reflect on their own familial legacies and the impact of trauma on mental health.

Looking ahead, "The End of Times" could influence future projects that explore similar themes. As mental health continues to gain attention, films that intelligently weave personal stories with societal commentary may become more prevalent. The Venice Critics' Week serves as a platform for these narratives, allowing them to reach a global audience. As the discussion around mental illness evolves, films like this could play a crucial role in shaping public perception and understanding.